Kathleen Loves Music

Joe Lee Wilson
Livin’ High Off Nickels and Dimes

1. The Theme/Aquarian Melody
2. It’s You Or No One
3. Strollin’
4. Jazz Ain’t Nothin’ But Soul
5. God Bless The Child
6. You Make Me Want To Dance

Arranged by Joe Lee Wilson

The selections on this record are excerpted from a live radio concert on Columbia University’s WKCR.FM.NYC.
Recorded on July 16, 1972.

Joe Lee Wilson. Vocals
Ray McKinley. Piano
Bob Ralston. Tenor saxophone
Stafford James. Bass
Napoleon Revels. Drums
…..
Click here for covers, photographs, and other printed ephemera.

Original LP credits and liner notes
Oblivion Records OD-5

Joe Lee Wilson
Livin’ High Off Nickels and Dimes

Joe Lee Wilson. Vocals, Ray McKinley. Piano, Bob Ralston. Tenor saxophone, Stafford James. Bass, Napoleon Revels. Drums

Produced by Fred Seibert

Production Consultant. Honest Tom Pomposello
Advice and Consent. Richard H. Pennington, Jr.
Engineering. Don Zimmerman
Editing. Fred Seibert
Rerecording. Bob Blank. 3.26.74
Mastering. John Bittner
Pressing. Wakefield Manufacturing

Cover design. Susan Rivoir
Graphics. the Oblivionettes
Photography. Bridget Deale, Fred Seibert, and Enea Cairati
Confucius, Nick Moy and Sherry Wolf*
*courtesy of Bonitza Melodies

Should this disk [Read more…]

Hank Jones
Groovin’ High

Produced by Fred Seibert

1. Algo Bueno
2. Anthropology
3. Sippin’ at Bells
4. Blue Monk
5. Groovin’ High
6. I Mean You
7. Jackie-Ing

Hank Jones: Piano
Sam Jones: Bass
Mickey Roker: Drums
Thad Jones: Cornet
Charlie Rouse: Tenor Saxophone

As soon as we saw the incredible reaction to our first release with Hank Jones, Bop Redux , in 1977 it was clear to Muse Records’ founder Joe Fields and me we needed to record a sequel. Hank’s absence from the scene for 25 years (in the CBS Orchestra) had only made him better, and the yearning for the emotion and craft of originators of bebop was burning a hole in the hearts of 70s jazz fans. We moved recording from my base at CI Recording in Manhattan (the former Mercury Records studios) to Rudy VanGelder’s in Englewood Cliffs, New Jersey, the most famous studio for jazz in the world.

The moment of discord with Hank came when I insisted he replace [Read more…]

Charles Walker & The New York City Blues Band
Blues From The Apple

Produced by Tom Pomposello with Fred Seibert
Engineering. Fred Seibert

Click the title to play.
1. Scratch My Back
2. Black Cat Bone
3. Gladly
4. Decoration Day
5. I’m A Good Man But A Poor Man
6. Juice Head Woman
7. Bluebird’s Blues
8. Fast, Fast, Women and A Slow Race Horse
9. It’s Changin’ Time
10. Meeting You

……
CHARLES WALKER & THE NEW YORK CITY BLUES BAND
Blues From The Apple
Oblivion Records
OD-4
1974

Click here for covers, photographs, lyrics, and other printed ephemera.

LINER NOTES:

New York City blues has been one of the Big Apple’s best kept secrets for the past decade and a half. While many local bluesmen have remained “active” at house parties with an occaisional gig at a small club, many others, veterans of a by-gone R&B era, have pawned their instruments and abandoned hopes of continuing a career that long ago abandoned them. In short the New York City blues scene [Read more…]

Jaki Byard
Family Man
Produced by Frederick Seibert

Click the titles to play.
1. Just Rollin’ Along
2. Mood Indigo/Chelsea Bridge
3. L.H. Gatewalk Rag
4. Ballad to Louise
Excerpts from Family Suite
5. Prelude No.16
6. Gaeta
7. Garr
8. Emil
9. John Arthur

Jaki Byard: piano, tenor saxophone, alto saxophone
Major Holley: bass, tuba, Fender bass
Warren Smith: drums, tympani, vibraphone
J.R. Mitchell: drums
…..
Jaki Byard was one of my great heroes and inspirations when I started listening to jazz in earnest in the early 70s. “Eclectic” was the word that best described him since he recorded in styles directly linked to stride, swing, bop and the avant-garde, all with authenticity and enthusiasm. When Muse Records’ owner Joe Fields asked me to suggest a suitable recording project Jaki immediately came to mind.
…..
Muse Records MR 5173
Jaki Byard
Family Man

Produced by Frederick Seibert
Engineered by Chuck Irwin & Elvin Campbell, CI Recording (110 W57th Street, NYC)
April 28 & May 1, 1978

Muse Records Discography

…..
Liner notes by Fred Bouchard:

Jaki Byard - pianist, composer, family man. Family man? Yes, indeed.

Whatever paradoxes [Read more…]

Mississippi Fred McDowell
Live In New York

Produced by Tom Pomposello, Dick Pennington, and Fred Seibert
Engineered* by Fred Seibert

Click the titles to play.
2nd edition, Spring 1972

1. Shake ‘Em On Down
2. I’m Crazy About You Baby
3. John Henry
4. You Got To Move
5. Someday
6. Mercy
7. The Lovin’ Blues
8. White Lightnin’
9. Baby Please Don’t Go
These MP3s are CD quality, 320kpbs

1999 edition; released as “Live at the Gaslight.”
Disc 1
1. Shake ‘Em On Down
2. Fred’s Worried Blues *
3. Mercy
4. Jesus is on the Mainline *
5. When The Saints Come Marchin’ In *
6. Someday Baby
7. The Lovin’ Blues
8. White Lightnin’
9. You Got To Move
10. Louise *
11. Baby Please Don’t Go
Disc 2
1. Goin’ To The River (Carry My Rocking Chair) **
2. Shake ‘Em On Down **
3. 61 Highway *
4. John Henry
5. My Babe *
6. I’m Crazy ‘Bout You Baby **
7. Red Cross Store *
8. Levee Camp Blues*
9. Good Mornin’ Little Schoolgirl *
10. Don’t Mistreat Nobody (Cause You Got A [Read more…]

Hank Jones
‘Bop Redux
Produced by Fred Seibert, in association with Dick Ables
Grammy Nominee, 1977, Best Jazz Instrumental Performance - Soloist

Click the titles to play.
1. Yardbird Suite
2. Confirmation
3. Rudy, My Dear
4. Relaxin’ With Lee
5. Bloomdido
6. ‘Round Midnight
7. Moose the Mooche
8. Monk’s Mood

Hank Jones: Piano
George Duvivier: Bass
Ben Riley: Drums

Hank Jones had been a exemplar jazz journeyman until he took a full time day job in the CBS Orchestra in 1952. This record date, the first after his contract finally expired, was arranged by Muse Records’ owner Joe Fields, and he cordially to handle the production. My primary contribution –I was a wet behind the ears 26 year old with no particular skills– was suggesting the jazz standards repetoire as a respite from the relentlessness of the “energy” avant-garde of the previous 10 years. I also chose the engineer and studio, asked Hank to avoid bass solos, named the album after John Updike’s ‘Rabbit Redux,’ [Read more…]