I’ve been in a MAD frame of mind recently because of our friend, producer David Levin, who introduced us all to the magazine’s inner workings on Pulp Secret last year, and brought by a couple of his MADdest friends (editors actually) to talk a few weeks ago. Meeting them put me into the frame of mind to read David Hadju’s The Ten-Cent Plague about the repressive moment in the 1950s when states across America actually tried to censor books (in this case, comic books).
So much of it revolved around the mythology of EC comics’ and MAD’s publisher William Gaines that I started routing around for something to read on the history of MAD. Unfortunately no one’s seen fit to research anything resembling an objective view, so I settled for this 1972 virtually authorized biography. Which made me try and find one of his obituaries that so influenced me on the eve of my joining Hanna-Barbera and the cartoon business full time in June 1992.
Why such an influence? I was new to the cartoon business, never having had anything to do with making anything with characters or stories (I’d produced quite a few animated commercials), and I was scared to death because I had no idea what to do. Then I read one of Gaines’ mythologizing quotes and I started to feel like, even if I couldn’t begin to be the kind of eccentric character he was, maybe I’d have a chance.
“My staff and contributors create the magazine,” Gaines said. “What I create is the atmosphere.”
