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August 20th, 2008

Hanna-Barbera Cartoons Calendar

Whenever I get a little free time (like now, on vacation) I pull crap off of my shelves and scan it for posterity. Like these two Hanna-Barbera Cartoons calendars from the 90s (I posted 1995 on last summer’s vacation).

Hanna-Barbera Cartoons Calendar

Over the years I’ve collected all sorts of stuff that have pop culture images printed on them (skateboards, glasses, calendars, et cetera) and when I got to Hanna-Barbera it seemed to me the studio was in need of some image repair. Calendars were my obsession of that moment, so we put together some incredible design talent and photographers (SpotCo and Mark Hill for 1994, HB in-house talent in 1995) and spiffed ourselves up a little.

Jerry Wexler, R.I.P.

August 16th, 2008

Jerry Wexler recording with Aretha Franklin, circa early 1970s

It might seem odd to remember a great record producer on a cartoon blog, but it’s probably just as odd to take cartoon producing lessons from a great rhythm & blues producer (the producer who coined the term ‘rhythm and blues’, not so incidentally), like I sort of did. But when I was coming up there was no place to learn to be a producer (if it is indeed possible to learn such a thing) so I took my inspiration from the great record men I could read about. Like Jerry Wexler.

Ironically, I’d started re-reading Jerry’s autobiography just this week when I got word he’d passed away yesterday in Florida.

Jerry is my number one producer hero, which is saying something considering my dozen other favorites including the likes George Martin or Berry Gordy or Quincy Jones. The thing I most admired most about him was the finesse to allow musicians to play exactly how they wanted to play, but somehow coax mega hits out of them at the same time. A rare, sometimes, seemingly unique ability.

Sure, the music made my antennae go up (Aretha, Ray Charles, Wilson Pickett, Bob Dylan, Dusty Springfield, the list is almost incalculable), his company too (he was a partner in the great Atlantic Records), and the fact he was a Manhattan-ite in love with Black music. I’ve heard he could be an irracible jerk (he who casts the first stone….). But, unlike a lot of the other great producers who were often highly trained arrangers or musicians or engineers themselves, Jerry seemed that he was just a fan first and foremost (I say “seemed” because he was a highly skilled writer and journalist before joining Atlantic in his 30’s).

Jerry just loved music. He married his fandom and knowledge to his impeccable instincts for talent. (He convinced Carole King and Gerry Goffin to write “(You Make Me Feel Like) A Natural Woman” after musing about John Henry’s term “natural man” and shouting out to them on a New York street to write a song with that title. He hummed a favorite country song to Patti Page and she sold millions on “The Tennesee Waltz”).

You can read more and better about Jerry Wexler in thousands of places. Do it, you’ll enjoy yourself. But, in the meantime, I realized that without thinking about it over at my music blog I’ve posted five tracks that Jerry produced or caused to be produced in the last few weeks alone. They’re the best way to hear what I’m talking about. Jerry Wexler made us all a lot richer.

Aretha Franklin > Rock Steady

King Curtis > Hold On, I’m Comin’

Carla Thomas > B-A-B-Y

Sam & Dave > I Thank You

Otis Redding > (I Can’t Get No) Satisfaction

Late to the WALL-E party.

August 14th, 2008

As usual, I’m very late to the party, but I wanted to say a few words about Floyd Bishop’s fabulous Pixar debate.

(Immediate background: I just returned from seeing WALL-E with my family. My 13 year old was somewhat bored but appreciated the theme; my 11 year old saw it for the second time, surprised how much he loved it the first time out; my wife loved it both times she saw it; I was way impressed but not deeply engaged.)

I love everything Pixar does, for every reason imaginable, not the least being it’s the only studio (Frederator excluded, of course) that relies on animator trained folks as their primary writers (Lasseter, Stanton, Doctor, Bird, et al). And it really shows in the unique quality of the movies. And, of course, [Read more…]

Art contest! Obama!

August 7th, 2008

Obama art contest
It’s no small thing when a political candidate can not only inspire millions of people to vote for the very first time, but can also motivate the notorious cynical and skeptical communities of artists, musicians. and writers. You’ve all seen the famous Obey poster from last spring supporting Barak Obama’s candidacy. Maybe you’ve even caught some of the other great graphics his historic role has galvanized.

Now’s your chance to join the fray.

Obey, Manifest Hope, and MoveOn.org are sponsoring a new art contest for fresh, sharp, Obama graphics. 2D and 3D art, from painting to photography to sculpture, no matter what you’re talent there’s room for you.

Enter and win, the deadline’s August 18, 2008.

Oh Yeah! Jon Kane!

August 6th, 2008


Find more videos like this on Channel Frederator RAW

Jon Kane and I have worked together for a way long time, and I’m honored whenever I’m lucky enough to get his attention for one of our, ahem, efficiently priced jobs. So it was in 1998 when we were launching Oh Yeah! Cartoons and I thought it would be great to package it with a different vibe than other cartoon show. Calling Kane!

Jon’s company Optic Nerve was one of the leading commercial production shops in New York. Jon conceived the spots, [Read more…]

Frederator presents.

August 5th, 2008


Find more videos like this on Channel Frederator RAW

It doesn’t seem possible, but the networks don’t just beat a path to Frederator begging us for shows. Our team works hard behind the scenes, often for years at a time, to convince folks that our creators’ series deserve a shot. The creators write elaborate presentation pieces to give executives an idea of what’s in store for characters and stories in a series, and they go in person often to get everyone comfortable with what will be eventually a very expensive investment totally sometimes in the hundreds of millions.

A few weeks ago we contracted with one of my favorite directors, Jon Kane of Optic Nerve in New York (sometimes better known as the DJ behind FischerSpooner) to put together a video for some of our current presentations. Whenever I work with Jon it makes me wonder how I can lure him into cartoons.

Paul Young in the house.

July 21st, 2008

Fred & Paul Young

It was great to see Paul Young, Cartoon Saloon founder, Skunk Fu executive producer, when he stopped by to visit Frederator/NY last week. Cartoon Saloon and Paul were honored by the Prime Minister of Ireland last week, invited as part of an Irish business contingent to ring in the New York Stock Market. Keep your eyes open for their feature debut, Brendan and the Secret of Kells.

 

Time’s right for Fite-ing.

July 18th, 2008

NF

Those in the know know that the first season of Dan Meth and Mark Vitelli’s Nite Fite launched yesterday after a  feverishly hard working spring of production. That’s right, the first spin-off of the much heralded and massively popular The Meth Minute 39, it’s the first animated talk show on the web. And one a sponsorship from Starburst candy, a major coup. I wanted to shout out a lot of the folks who’ve helped get us going. It’s a much bigger group than you’d imagine for 20 shorts, with not only Frederator in the mix, but online networks, a major corporate sponsor, and dozens of distributors, so settle in. (And when I miss anyone, please let me know so I can update my mistakes.)

Dan Meth & Mark Vitelli. Dan and Mark created and wrote Nite Fite. Thanks guys, for your great show.

I know you know Dan from The Meth Minute 39 (and his site and blog) as an animator of rare distinction, but you also know Mark through his work on MM39; he’s not only the sound designer for most all of Dan’s cartoons, but is a trusted creative advisor as well. The guys write all the episodes in the studio (Dan writes the sponsorhip spots back at our studio), and Mark takes their rantings and ravings and tightens them up to a full ka-pow of funniness before Dan and his crew get hold for the animation.

Carrie Miller. Indefatigable Carrie has produced The Meth Minute 39 as well Nite Fite. And I can say, with feeling, no one could have survived the process without her. Not only big smarts and schedules, but charm, good humor, and diplomacy –least of all needed with her Frederator colleagues– have charged Carrie’s work all the way through.

The animation team. For the first time in our New York studio, Dan and Carrie have put together a crack crew of animators and artists to help us reach our creative peaks and deadlines. Dagan Moriarty, Daisy Edwards, Adam Rosette, and Al Pardo are not only talented, but great companions to have in the studio.

Mike Glenn. We don’t really see Mike that often because he works the night shift in the post production dungeon, but he’s been our packaging editor, and dependable rock, throughout all of Dan’s projects here.

Kevin Kolde, Eric Homan, and Roy Langbord.  And Angie Polk. Kevin and Eric work primarily on our Hollywood based projects, but they’ve been amazing supporters of Dan’s and Carrie’s. Kevin particularly, as we worked out way out of garage style production. And Roy, our attorney and advisor, saves us from ourselves. Angie’s my assistant in NY, but so much more for everyone.

And over at Next New Networks, our distributor, promoter, and boosters nonpareil.

George Stewart runs media sales and has been a MM39 believer from the beginning.  He introduced us to our early champion, Digitas’ John McCarus who, in turn, roped in more of his colleagues that I can mention (don’t hate me for not including the whole list, it’s a lot of great folks), to believe in Dan and his characters.

Digitas brought along our sponsor, Starburst candies, which is part of the unbelievably big Mars Incorporated. I only mention their size, because it was a real leap of faith on everyone’s part to be part of Nite Fite and Next New Networks, and for everyone who took the leap, we salute and thank you. (And, you should check out Penalty and Lloyd on Starburst’s site. It not only looks awesome over there, but there’s a bunch of other cool goodies too.)

Rachel Garcia is also in NNN media sales, and it would be hard to properly explain how much she’s done to keep this project on track without making her blush or making her collapse from exhaustion looking over the looooong list of things she’s accomplished for us. But, I should highlight that hand in hand with Sarah Passe at Digitas, were we able to keep the magic group of 20 informed and happy with all our creative work over these last few hectic months.

Tim Shey is one of the NNN founders and runs programming at the company.  He’s been an indomitable spirit guiding the NNN-ers through the programming, promotion, and distribution of the Nite Fite series. “I’m with Penalty!” “Well, I’m with Lloyd!”

Scott Moschella and Jeaux Janovsky run  the Next New side of Channel Frederator and Nite Fite. They’re internet geeks to top all IG, and work out all the wherefores of how the MM39’s and NF’s find their way throughout our communities and beyond. Jeaux has personal relationships throughout the internet cartoon universe, and keeps them all stoked about everything Dan creates. Scott’s worked closely with Tim, YouTube, and everyone else here to get the NF site where it needs to be. Vanessa Pappas now runs the entertainment team, and her brains are going to guide us through this first season better than any of the rest of us ever could.

Diane deCordova heads up the super-distribution strategy and team COO Jed Simmons put together and was responsible for the 20,000,000 views the MM39 has garnered this year. From Veoh to YouTube to Break to UGO to to to to to… the list goes on. We’re super because of you, thanks guys.

Andres Palmiter is the Next New Networks secret sauce. His daily contacts with the distribution partners around the world are key to super-distribution success. The fact that he’s personally so in love with Dan’s work isn’t a small thing either.

The developer team of Paul Blakey, Todd Morningstar, Alex Milyavskiy, run by Marc Goldberg, is always happy and unarguing when asked impossible things by everyone.

I’m not neglecting Lee Rubenstein or Graham Smith or Jeremy Kutner for their site contributions (and, of course, so much more).

Justin Johnson’s promos. Can I really compliment him any more than I have? And Alan Kaufman?

There’s a few dozen other NNN’s too, and in different ways big and small they’ve all been important to the launch of Nite Fite. The order of thanks isn’t meant to slight anyone, but truly, thanks Liam, Herb, Emil, Michelle, Patty, Erik, Lindsey, Michael, Ramon, Erin, Ian, Max, Dustin, Corinne, Rob, Mary, Steve, Donny, Ben, Ben, Jared, Gene, Charlie, Pete.

The Short End of Spagetti.

July 16th, 2008

Ryan Charmatz was our intern this year. Give his cartoon a five star vote here.

Frederator Postcards Series 6.24

July 11th, 2008

Mailed out the week of July 7, 2008.
…..
Frederator Postcards Series 1, 1998
Frederator Postcards Series 2, 1999
Frederator Postcards Series 3, 2000
Frederator Postcards Series 4, 2003
Frederator Postcards Series 5, 2004-2005
Frederator Postcards Series 6, 2007-2008