Channel Frederator Blog

I just discovered a blog chock full of interviews with animation artists. Fulle Circle Productions is hosted by student Jason E. Anders, who is particularly enamored of the Spumco/John K. crowd, including Katie Rice, Kristy Gordon, Eddie Fitzgerald, Fred Osmond, Kali Fontecchio, and Nick Cross. The interviews are in-depth and there’s a generous smattering of original artwork. Definitely worth adding to any blogroll.

(Artwork above by Katie Rice with original Spumco notes and splats.) [Read more…]

As the park grew, and the public needed more and more in the park to keep them coming back, Walt Disney turned to the artists who he had trusted with his films to help create new experiences for the park. Marc Davis (pictured above) and John Hench are just two of the many artists who started in animation and then found themselves helping Walt with Disneyland. Park staples, such as Pirates of the Caribbean, the Enchanted Tiki Room, and the Haunted Mansion all feature work from former animators.

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Written By is a magazine published by the Writers Guild of America West. The Summer 2008 issue just came out and the theme is “Age of Animation”. The Cartoon Cover boy is Matt Groening, and you can read an except of his interview here. (One interesting tidbit that I didn’t know is that Bart’s name came from a bad novel that Groening wrote in high school. Bartholemew Simpson was the narrator who was “haunted by the fact that he looked like a beaver.”)

The issue is well worth purchasing: it includes interviews with Seth McFarlane (by Family Guy showrunner, David A. Goodman) and Brad Bird, an opinion piece by Mark Evanier, excerpts from unproduced animation scripts., and of course coverage of the history and present state of animation union organizing (by both the WGA and local 839). [Read more…]

This is a great find, which I was turned on to via the Disney History blog.

In this five part series, we hear about what goes into making Disney animation, from the artists and creatives themselves.
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Earlier this month, I blogged about Alex Budovsky’s music video for “Last Time at Clerkenwell” by The Real Tuesday Weld. At the time, I didn’t realize that Stephen Coates (the guy behind TRTW) was such a heavy duty fan of animation. The music video above is “The Show Must Go On” which was made by the small Brooklyn animation house Giant Squid Eye Productions. Giant Squid Eye is George Fort (director) and Monica Smith (producer). (Recently, George worked on backgrounds for over-the-top action fest Superjail—coming to Adult Swim this fall. And Monica was color key designer for Supernormal on CITV. A super coincidence?)

Of interest to animation history buffs is the new score Coates composed for Winsor McCay’s The Centaurs. The Centaurs was an unfinished animated film that only survives in fragments. McCay worked on it between 1918 and 1921. Most of the completed footage deteriorated due to poor storage. I think it’s really, really [Read more…]

There have been many Hanna Barbera characters with personalities based on famous actors and personalities. The Flintstones had their Honeymooners influences, Jabber Jaw sounded a lot like Curly from the Three Stooges, and Doggie Daddy (from the series of Augie Doggie cartoons) was no different. While he sounds like Jimmy Durante, his character and his relationship with his son are actually borrowed from two earlier Hanna Barbera characters, Spike and Tyke, who were created while they were at MGM. Spike’s son Tyke first appeared in the 1949 short “Love that Pup”.

The main difference (other than breed of dog) would be the character of the son. Spike’s son Tyke is seemingly much younger than Augie, as Tyke cannot speak, only bark. Perhaps the time difference in first appearances would account for the aging of the son? Tyke was created in 1949. If he continued to age in real time, he would be very close [Read more…]

This past Wednesday I attended a panel discussion entitled, Cross Cultural Traffic: Toying with Brands, Borders and Bootlegs.

It was hosted by The Korea Society and was a lively talk on and about Korean Toys, their origins, how they interrelate with Japanese, American, and their own Korean Pop Cultures.

The panel consisted of Eric Nakamura (publisher of Giant Robot Magazine), Joshua Bernard (editor of CollectionDX.com), and The Korea Society’s Seho Kim (creative director).

I think Eric summed it up best on his GR blog:

“The robots and such brought out a generation of creatives. Imagine a filmmaker like Joon Ho Bong, who made the Host. Did he watch monster films as a kid? Did he play with toys? Of course he must have. The geeks who collected toys are now in power at creative places, and look at what they’ve brought forward? A new world of creative minds.”

Of course, I eagerly took down notes and snapped a few pics. Enjoy!

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“Der Fuehrer’s Face”

During World War II, animation was a popular way to rally support for the troops, educate the country about how they could help out with the war effort, and serve as propaganda for the world.

“Daffy-The Commando” 

In addition to traditional length shorts, there were also several interstitial pieces created, such as “Any Bonds Today?”

As you can see, many of these cartoons featured charactures that played upon racial stereotypes… many of which are not politically correct in the eyes of today’s audiences. The big studios have gone to great lengths to keep many such cartoons as hard to find as possible for fear of a backlash. Maybe this is why we don’t see many war cartoons like we used to? There are still a few cartoons that handle such material, but do so in a much different way. For instance, have a look at this fight between Cartman and [Read more…]